Edited by David Lloyd-Jones Violin and Cello Concertos William Walton Edition vol. The William Walton Edition is a collected edition of the works of one of England's finest and best-loved composers. Each work is newly edited and engraved, and checked against the composer's manuscript, previous published editions, and all other relevant material. The result is a definitive and fully practical edition, based on the form in which the composer ultimately wished it to be performed.Walton wrote much of his Violin Concerto during a stay in Italy, completing the work in 1939. It was commissioned by Jascha Heifetz and premiered by him later that year. It was revised in 1943 and an Appendix to the volume shows Walton's original solo part, which differs from the later version in details of bowing, articulation, and occasional revision to notes.
The Cello Concerto dates from 1956, a commission from Gregor Piatigorsky, who premiered the work in 1957. Walton regarded this work as the best of his three solo concertos.Orchestral material is available on hire.
Easy Violin Concertos
Details from Daniels Orchestral Music Online:VIOLA Concerto, original version27′31.2.pic 31.2.Eh 31.2.bcl 31.2.cbn — 4 3 3 1 — tmp — strOriginal 1929 version. The 1930 piano reduction used a version of the solo part by Lionel Tertis, which diverged from Walton’s original. A 1938 reduction, approved by Walton, used phrasings, articulations and bowings by Frederick Riddle, and corresponded to Riddle’s 1937 recording.I. Andante comodo 9′II. Vivo; con molto preciso 5′III.
Allegro moderato 13′Pub: OxfordConcerto, Viola 1961 revision 27′21.2/pic 21.Eh 21.2/bcl 2 — 4 2 3 0 — tmp — hp — strRevised in 1961. Through a mixup between the publisher and the composer, this edition is based on the Lionel Tertis version of the solo part with additional changes by Walton, rather than the Frederick Riddle solo part which Walton actually preferred. Scores and parts for this version have been withdrawn.27′21.2/pic 21.Eh 21.2/bcl 2 — 4 2 3 0 — tmp — hp — strThe new Walton Edition of this work brings together for the first time the revised (1961) orchestration and the Frederick Riddle version of the solo part from 1937.
This is believed to represent the composer’s intention, though he also allowed for the possibility of performances of the original version.I. Andante comodo 9′II. Demay cytology new edition. Vivo; con molto preciso 5′III. Allegro moderato 13′Pub: Oxford.This reply was modified 2 years, 3 months ago by.This reply was modified 2 years, 3 months ago.
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Reason: Format.This reply was modified 2 years, 3 months ago. Well yes the part does need some preparation time, but not too difficult, I played it only once in rehearsal mode with The Rehearsal Orchestra in London and Stephen Struikshank (or Cruikshank) as the soloist – I only remember the lyrical middle part, similar construct to the violin concerto which I had performed before. I have since purchased the scores of both of these so they are to hand for the the next time.
Anyone know if there is a harp part in the cello concerto, they are all related, IMHO.
Printing Partners Classical FinalsEast Coast Chamber OrchestraHoward L. Schrott Center for the ArtsButler University NameProgramVideoWednesday September 12, 8:00-10:30 PMMozart - Violin Concerto No. 5 in A major, K. 219 ('Turkish')Kreisler - Tambourin chinoisMozart - Violin Concerto No.
5 in A major, K. 219 ('Turkish')Kreisler - Tambourin chinoisMozart - Violin Concerto No. 5 in A major, K. 219 ('Turkish')Kreisler - La GitanaNameProgramVideoThursday September 13, 8:00-10:30 PMMozart - Violin Concerto No. 3 in G major, K. 216Kreisler - La GitanaMozart - Violin Concerto No.
3 in G major, K. 216Kreisler - Tambourin chinoisMozart - Violin Concerto No. 1 in B-flat major, K. 207Kreisler - Caprice viennoisBSA LifeStructures FinalsIndianapolis Symphony Orchestra Leonard Slatkin, ConductorHilbert Circle Theatre NameProgramVideoFriday, September 14, 8:00-10:30 PMBruch - Scottish Fantasy for Violin and Orchestra, Op.
46Tchaikovsky - Violin Concerto in D major, Op. 35Shostakovich - Violin Concerto No. 1 in A minor, Op.
Best Violin Concerto
99NameProgramSaturday, September 15, 8:00-10:30 PMWalton - Violin ConcertoTchaikovsky - Violin Concerto in D major, Op. 35Mendelssohn - Violin Concerto in E minor, Op. 64Donor Appreciation Concert, Sponsored by Ralph G. Nowak NamePerformance TimeVideoTuesday, September 112014 Gold Medalist Jinjoo Choand pianist Hyun Soo Kim8:00 PMSemi-Finals, Sponsored by Donna L. Reynolds and David P.
● Walton - Viola concertoWalton - Concert for viola. You can download the PDF sheet music Walton - Viola concerto on this page. Strahov's viola part edition. The concerto was suggested by Beecham and was intended for Lionel Tertis (1876-1975), the great English viola player whose one-man campaign to build a solo repertory for the viola commanded widespread admiration. It was composed mostly in Amalfi. By February 1929 Walton had completed two movements and was working on the finale. The progress of the first movement is twice interrupted by faster dramatic outbursts.
The scherzo flashes by, witty and epigrammatic, leaving the finale as the most substantial movement. Developing from the bassoons' hesitant initial theme, it builds to a fugal climax for the orchestra after which the soloist recapitulates the first movement's amorous principal subject with the finale's main theme as accompaniment. It is one of the most beautiful passages in all Walton's music.To download PDF, click the 'Download PDF' button below the appropriate sheet music image.To view the first page of Walton - Concert for viola click the music sheet image.PDF format sheet musicViola part: 16 pages. 3133 KPiano part: 40 pages.
14126 KThe concerto is dedicated 'to Christabel' and probably records feelings engendered by Walton's unrequited passion for Christabel. Lady Aberconway, who remained a lifelong friend. But there is no need to know this to appreciate the lyrical melancholy and poetic longing at the heart of the music. Although Elgar himself disliked the work when he heard it at a Three Choirs Festival, it is nonetheless Elgar's Cello Concerto which is constantly recalled by the ways in which the solo instrument is allowed to achieve prominence. Walton, like Elgar, begins with a ruminative slow movement.
The hallmarks of the composer's style can be identified: wide intervals, looping arabesques, and added-note minor-major diatonic harmony together with irregular and syncopated rhythmic patterns.Last Updated on 19 August 2017.